What’s he really here for if the money he came for is nowhere to be found? We get a few hints in some rather saucy fantasy flashbacks that Carrie/Ana has. This shows us an impulsive side and questions his focus. A mystery man, but one with a focussed purpose, and someone who can handle himself when things kick off. So far he’s seemed confident and assured in his actions. This is an interesting moment in the opener of Banshee and a key one in helping the show build up the image of the man who we’ll refer to from now on as Lucas Hood. I made a note while watching this pretty thrilling sequence that said “ketchup bottle – ouch!”Ī few scenes later our man makes a snap decision when answering the now-deceased law man’s mobile to pretend to be new Sheriff Lucas Hood. The scene explodes in an orgy of limbs and blood. This scene sees Banshee show the audience perhaps the level of violence that we can expect in this series. Banshee is about to reveal its plot facilitator when the incoming new town Sheriff, whom, conveniently, no one has met, ends up brutally murdered when our man takes exception to a bit of protection racketing gone wrong by a couple of Kai Proctor’s heavies. They may have tried to crowbar one too many characters into this pilot but the lines they’re coming out with are an assurance that we’ll remember most of them.Ībout to leave town empty handed, our guy stops off for a few whiskies at a roadside bar. There are times when it has a slick, Tarantino-style feel to it.
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In an opening episode script stuffed full of great lines, it’s here we’re treated to our first one as a disgruntled Hopewell asks Proctor if that is “a judge in your pocket or are you just happy to see me”.Ĭreators David Schickler and Jonathan Tropper have constructed an inaugural script that is rich on quotable dialogue.
Town DA Gordon Hopewell and young Mayor Dan Kendell are on the losing end of a verdict against Kai Proctor, Banshee’s Mr. A Banshee courthouse scene sees the audience begin to meet a few of the show’s plentiful cast members. Much of this opening episode is given over to character introduction.
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Much like True Blood, the themes of Banshee are set out in a series of images incorporating sex, death and the Amish background of its Pennsylvania location. When the titles do roll we’re treated to a typical Alan Ball-inspired sequence.
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